by Lloyd Kitazano (December 2015)
The MLML Wave logo was undoubtedly inspired by the wood block print titled, The Great Wave off Kanagawa by Japanese artist Katsushika Hokusai (1760-1849). Hokusai created volumes of beautiful and unique drawings and prints over his lifetime, but The Great Wave off Kanagawa (a.k.a. The Great Wave or simply, The Wave) is by far Hokusai’s most famous and duplicated work. Hokusai produced The Great Wave around1830-1833, and it was part of a series of his wood prints titled Thirty-six Views of Mt. Fuji. In The Great Wave, Mt. Fuji is seen in the background as people in boats appear to be in peril by the threatening seas.
When I was a grad student at MLML (1975-1978), posters of the lab’s wave logo were sprinkled around the lab. I recognized the similarity between the lab’s wave and Hokusai’s The Great Wave. I had liked Hokusai’s The Great Wave so much that my grandmother made a needlepoint of the work, and to this day, her needlepoint of The Great Wave still hangs in our living room.
I don’t know who originally designed MLML’s Wave logo or when it was designed, but I think it was a great choice. To me, MLML’s Wave captured the same feelings of excitement as Hokusai’s The Great Wave. In both works of art, you can almost hear the churning seas and smell the salt spray. I also thought it was appropriate that the designers of the MLML Wave logo omitted the people and boats in peril shown in Hokusai’s work, and instead, used sea birds gently gliding in front of the sun to create a sense of calm and peacefulness. I believed that MLML’s Wave accurately portrays the labs relaxed atmosphere of teaching and learning.
When I graduated and left MLML, I asked for and received one of the MLML Wave posters, and I proudly hung the poster in my office at the California Maritime Academy, CSU, where I taught marine sciences for 35 years until I retired. The poster now hangs in my garage among my most treasured keepsakes.
An aside by Jim Harvey: Lynn McMasters has been the MLML graphic artist for years, and has been responsible for many of the renditions of the Wave and other MLML artwork, including the current logo and sticker at the top of this blog.
Lynn told me (Jim) the original Wave logo was developed by a class at SJSU before MLML was started, and that the positioning of the birds in the image to form a “M” and an “L” was intentional.
Response from Chuck Versaggi: I see in the Lloyd Kitazano blog post and your endnote that, according to Lynn McMasters, it was her understanding that a SJSU class designed the MLML Wave logo. Well, I’d like to set the record straight: I designed that logo circa 1969-1970, which superseded a short-lived design that Dave Lewis created based on the Beatles Yellow Submarine. Alas, I don’t have any graphic evidence to support my claim, but I can assure you this is true. I could probably get Dave Lewis and perhaps Shane Andersen (cc’d) to corroborate this (Dave Lewis , in fact, did confirm). And, yes, the positioning of the gulls to evoke the “M” and “L” was my creative intention, as was the stylized wave inspired by Hokusai’s The Great Wave.
So we owe this awesome design to Chuck Versaggi, thanks Chuck.